BRANDON EASTON ON WRITING FOR TV’S AGENT CARTER AND THE ART, ECONOMICS + POLITICS OF WRITERS ROOMS (MF GALAXY 096)
MAINTAINING
INTEGRITY IN TV WRITING WHILE BEING A TEAM PLAYER, THE ROLES OF SHOW RUNNER AND
STAFF WRITER, THE IMPORTANCE OF CHEMISTRY, HOW TO BREAK A SCRIPT, WHAT HAPPENS
WHEN YOU GO OVER BUDGET
- Freelance Writer at Marvel Entertainment
- Writer of M.A.S.K. at IDW Publishing
- Freelance Writer at IDW Publishing
- Volunteer Solar System Ambassador at Jet Propulsion Laboratory
- Writer at Unified Pictures
- Writer at Lion Forge Comics
- Former Program Writer at Disney/ABC Television Group
- Former Staff Writer at Marvel Entertainment
Easton spoke with me on June 27, 2016 by Skype, about:
- How the Disney ABC Writing Programme works
- Pro writing for the market with big money at stake
- The pressure of writers rooms and how they made him smarter
- How showrunners choose their writers
- How to break an episode
- The art and science of bottle shows
- The penalties for going over budget
LISTEN/DOWNLOAD
Buy Brandon Easton’s Brave New Souls documentary on African-American science fiction and fantasy film makers, authors, and comic creators. It’s a great doc and it’s only 8 bucks.
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