MF GALAXY

AUTHOR KRISTA D. BALL + FILMMAKER BEN DOBYNS ON THE HEROES + VILLAINS, THEIR SURPRISING REVELATIONS, AMAZING CAMEOS, THE MUSIC, FARSCAPE, AND ITS TIMELY AND DEVASTATING SOCIAL SATIRE Guardians of the Galaxy came out in 2014 and blew me away. I’ve called it the best Star Wars since Star Wars of 1977 for stunning imagery and action, and the feature film version of TV’s FarScape, for its gonzo humour and pop culture self-awareness. And like both of shows, Guardians has outrageous, memorable characters that make fans wish we could hang out with them. That film made a billion dollars globally and now the sequel is out, and as of recording today on May 8, 2017, just four days after opening, Volume 2 has already earned $430 million dollars around the world. Guardians is a giga-successful series and if we’re lucky, will bring the fun, great characters, and wonder back to science fiction filmmaking. Returning to the show today to discuss Volume 2 are author Krista D. B...

GROUNDBREAKING SF SERIES THAT INTRODUCED NOVEL-LENGTH STORY ARCS AND MAJOR CGI TO US TV, JMS APPROACH TO WORLDBUILDING, FURLAN ON BEING A POLITICAL OUTCAST + PLAYING ONE ON TV LISTEN/DOWNLOAD SF can attempt to predict the future, but since Jonathan Swift invented SF with Gulliver’s Travels, an adult political satire that I’d call the original Star Trek, SF has delivered its most enduring and provocative works by analysing the ethical content of the present. But Star Trek became so dominant on US TV through reruns and then resurrection as Star Trek: The Next Generation that it became a force stifling creativity. The boldest, most innovative, and most influential counter to Star Trek dominance was Babylon 5,  the 1993 to 1998 series that introduced the longform story arc with a  predetermined beginning, middle, and end to US television. Set in the  twenty-third century, the story was of the fifth and final Babylon  station, a galactic UN created to en...