Nnedi Okorafor is the celebrated author of ten books, including The Shadow Speaker, Who Fears Death, and the forthcoming The Book of Phoenix. Zahrah the Windseeker, Okorafor’s debut novel about a highly technological world based on Nigerian myths and culture, was nominated for the Locus Best First Novel Award, shortlisted for the Parallax and Kindred Awards, a finalist for the Golden Duck and Garden State Teen Choice awards, and it won the Wole Soyinka Prize for Literature.
This episode’s conversation with Okorafor comes from way down deep in the archives of The Terrordome: The Africa All-World News Service. I spoke with Okorafor by telephone back on January 18, 2009, but back then aired only a portion of what you’ll hear now. Okorafor talked about many issues, including:
- Her definition of what Euro-American literary critic Mark Dery called Afrofuturism
- The appeal of science fiction to African audiences who have for most of the genre’s existence been excluded by it
- Her thoughts on just how Africentric The Matrix series is, or isn’t
- And the thesis of her famous 2004 essay called “Stephen King's Super-Duper Magical Negroes,” and what it reveals about American literary culture and politics.
We also discuss the powerful effect on self-conception that the American continent-wide rape gulag had on the West Africans who became the African-Americans, which were profoundly different from the effects that mass enslavement had on the so-called “indentured servants”—that is to say, European slaves, not to mention the rest of humanity since slavery existed across the planet.
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